After a shocking incident of their home two days earlier, Toshiko and her actor husband meet mates in a Tokyo nightclub. The young spouse and 安眠おくるみ mom is dumbfounded to listen to her husband recounting the incident-which has disturbed her greatly-as merely an amusing story for his or her companions’ entertainment. Troubled and weak, Toshiko feels acutely aware of her husband’s insensitivity, neglect, and lack of consideration for her. Her thoughts swells with loneliness and her fears of the future provoked by her horror at the scene she has so recently encountered in her son’s nursery.
The story that so horrifies Toshiko began with the arrival of a brand new nurse, a girl with an oddly distended stomach and a prodigious appetite. Not lengthy after she arrived, loud moans got here from the nursery. Toshiko and her husband rushed in to discover the nurse giving beginning on the ground. Toshiko’s husband rescued the family’s good rug and positioned a blanket below the nurse to forestall damage to the parquet ground.
Although two days have passed, Toshiko, in contrast to her husband, is still preoccupied by this expertise. Specifically, she obsesses about one scene that she alone witnessed. The physician who finally arrived to attend the nurse derided her and her bastard little one so strongly that he had his attendant wrap the newborn boy in newspaper. Appalled by the doctor’s cruelty, Toshiko rewrapped the baby in new flannel. The image of the innocent baby in his soiled paper wrappings, nonetheless, stays.
As Toshiko’s husband sets out from the nightclub for other engagements, she goes dwelling alone in a taxi. Riding by way of the darkened streets of Tokyo, she reflects on the nurse’s youngster and the key disgrace of his beginning. What if this boy, twenty years hence, should meet her personal son? The one, reared in strong consolation, may be savagely attacked by the other who can have been turned right into a brute by a life of deprivation and disgrace. The bloody newspapers through which that newborn was briefly wrapped would mark him for all times; they could be a blight on his being, the secret emblem of his total existence, his inescapable doom. She imagines one day going to the boy to inform him of her secret data of his first moments of life.
On impulse, Toshiko leaves her taxi and walks beneath the cherry blossoms in the dead of night deserted park near the Imperial Palace. She wanders until she encounters the type of a man, asleep on a bench, wrapped in newspapers. Standing beside the soiled anonymous determine, she imagines this younger man as the longer term manifestation of the child not too long ago born in her house. With a rustle of newspaper, a robust hand seizes her wrist. Immediately, Toshiko realizes that both her foreboding and her highly effective sense of connection to the baby in newspaper swaddling have been realized.
