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Ludovico Einaudi Discography 19882009 MP3

for this edition of the ludovico einaudi mp3 archive we are once again very pleased to be able to offer a high quality download of the entire catalogue. the download includes the original album cover artwork, as well as the artist’s biographical notes, and in many cases, the original album sleeve notes. all of the einaudi albums are available to download from the cd universe site .

the idea of creating an album of meditations on themes from music has been einaudis constant inspiration and it was this idea that he carried over into the new album elements, which was released in october 2015. the album has four parts: part 1 is entitled «in a time lapse» and is based on music from einaudis own album in a time lapse; part 2 is based on the music of the ballet doctor zhivago; part 3 is based on the music of the film divenire; and part 4 is based on music from einaudis own album elements. all the music on the album has been transcribed and recorded by einaudi and was recorded in 2012 in rome.

elements has a strong sonic and emotional identity and it is based on the idea of a journey of discovery. in this it is strongly informed by the ideas of the composer. the musical material covered represents the furthest reaches of what einaudi has always been interested in: from «perpetual motion» to the «farfalle» from «primavera», from a painting by kandinsky to the periodic table and back again, from the method of «air» to the notion of «the sound of the sea».

with the album elements, ludovico einaudi has embarked on a new path. it is a journey into the world of imagination, of invention, of discovery and of transcendence. in this, einaudi has gone back to the origins of music and the relationship between the musician and the listener, the idea that music is to be experienced, to be heard, to be felt.

ludovico einaudi was born on september 26, 1970, in turin, italy. from a young age einaudi had a fascination for music. in his own words: i was always making noises and i always wanted to make music. i had to have more than just one instrument to play, i was looking for an instrument that i could use for every day. in 1990 he was given a synthesizer by his father and he began to explore the possibilities of this instrument. he studied composition and piano and has gone on to write music for many other instruments including the organ, violin, guitar and piano.
this album is an example of the range of instruments and styles that einaudi can incorporate into his music. the piano is not the only instrument used. malian master of the kora, ballak sissoko plays a key role on three tracks and for this album einaudis solo piano music came to life with the inclusion of the cello and the liverpool philharmonic. this is the first time in einaudis career that he has collaborated with musicians.
the first track on the album, la tomba is a theme with a steady rhythm. the piece was written for piano and kora and features a beautiful melody and simple chord progression. the piece also features the african instrument the kora, an open-ended instrument with a reed mechanism. the kora is used to create melodies in the same way as a guitar or violin but is limited to two keys. because of this einaudi could only use this instrument in such a way that it could be played by just one musician.
a lifelong friend of n.m. della rosa, einaudi met her in milan in 1989 and became her lover after that. the collaboration lead to the composer creating the score for the italian film la nascita di un anno and the duo have been working together ever since. this is a strange album. it starts very softly and then explodes into some of the most famous and familiar pieces of einaudis work, with the strings transformed into an ever-changing mass of shimmering tones. the album is by turns delicate and explosive and, like the score for nascita is a real peak of einaudi and della rosa’s creative collaboration.
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